Short and sweet: Ladyburn Ha Chong-Hyun Collection

The latest rarity from Ladyburn, one of the shortest-lived distilleries in Scottish history, includes works from Korean artist Ha Chong-Hyun

Food and Drink 21 Nov 2024

Korean artist Ha Chong-Hyun's works

Ten of Korean artist Ha Chong-Hyun's works appear on sets of ten bottles of cask 3219 from Ladyburn, and an 11th on 85 bottles from cask 3216

A life cut short is a tragedy. But, in creative arenas it serves as a pedestal – the oeuvre gains more value for being limited. Think of the poetry of John Keats; the films of James Dean; the songs of Kurt Cobain… and the whiskies of Ladyburn distillery. This was the name of what was essentially an extension: in 1966, two pot stills were built alongside William Grant & Sons’ Girvan grain distillery in Ayrshire. The tiny malt distillery lasted less than a decade – it ceased production in 1975 and was demolished the following year.

Unsurprisingly, very little liquid remains from its production. What does, however, has become a byword for collectible whiskies, at first thanks to independent bottler Signatory, now under the stewardship of Jonathan Driver, MD of William Grant’s private client arm, and master blender Brian Kinsman.

Kinsman’s nose for selection and timing ensures the most sublime casks are released at the right time. What Driver brings is an understanding of the period in history this whisky represents – and, by collaborating with carefully selected artists, they have become cultural touchstones of what was tumultuous period for good and ill.

Ha Chong-Hyun's studio
Ha Chong-Hyun’s studio

After the joy and positivity of a trilogy of 1966 releases featuring labels by Swinging London icons such as David Bailey, Driver looked further afield for the latest release, from 1973. The artworks this time not only broaden the reach but represent a more complicated vision of the times. Korean artist Ha Chong-Hyun, who is still working today, was working in an atmosphere of curtailed free speech and a constant military presence. While not an overtly political artist, his use of materials such as barbed wire and burlap sacks as canvases are regarded in part as a subtle social commentary.

A bottle from the Ladyburn Ha Chong-Hyun Collection
A bottle from the Ladyburn Ha Chong-Hyun Collection

Ten of Ha Chong-Hyun’s works appear on sets of 10 bottles of cask 3219 (vanilla, crème brûlée, toasted oak); while an 11th appears on 85 individual bottles from cask 3216 (leather, black cherry, liquorice). Both whiskies have been aged for 50 years in refill American oak casks, which makes the differences all the more remarkable.

POA; privateclients@wgrant.com